I want to reread the script alongside this analysis — I think there's more to find there.
The film's length is the argument. Cut it and you lose the argument.
The structural choice you're praising is the choice that most critics at the time objected to.
The dialogue in the first act is setting up a structure that doesn't become visible until the third.
This is exactly what I needed to hear, thank you
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I want to reread the script alongside this analysis — I think there's more to find there.
The film's length is the argument. Cut it and you lose the argument.
The structural choice you're praising is the choice that most critics at the time objected to.
The dialogue in the first act is setting up a structure that doesn't become visible until the third.
This is exactly what I needed to hear, thank you