WE

The formal analysis is strong but the emotional argument is the one that will bring people to the film.

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WE

Hard disagree on this one, but I respect the take

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WE

The performance in the supporting role is carrying scenes that the lead is still figuring out.

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WE

The structural choice you're praising is the choice that most critics at the time objected to.

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WE

This thread is the most useful film discussion I've encountered outside of an actual film course.

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