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The formal analysis is strong but the emotional argument is the one that will bring people to the film.

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Hard disagree on this one, but I respect the take

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The performance in the supporting role is carrying scenes that the lead is still figuring out.

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The structural choice you're praising is the choice that most critics at the time objected to.

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This thread is the most useful film discussion I've encountered outside of an actual film course.

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I've seen this film at three different festivals and the audience reaction was completely different each time.

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The cold open is one of the best I've ever seen and you haven't even mentioned it.

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I sent this post to three different people with the message 'this is why the film is great'.

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I had a physical reaction to the scene you're describing that I've never had in a cinema before.

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The Pauline Kael review of this film is wrong in an interesting way that reveals her own limitations.

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Bookmarked. This is the kind of content I come here for

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The Roman annona — the state grain supply system that fed Rome and Constantinople — is an extraordinary logistical achievement that made possible the existence of cities of a million people in the pre-industrial world.

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I think you're exactly right about the form and I want to add one more dimension to the content argument.

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The casting choice that seemed wrong in the trailer was the most important decision the film made.

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I was literally just thinking about this yesterday

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I want to add a defense of the film's pacing that nobody else in this thread has offered.

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